“The Apology” was inspired by the song, “Cheap Whiskey,” on Martina McBride’s debut album. The song is about a man coming to terms with his alcoholism having driven away “the light of his life.” I wanted to explore what might happen if he decided to apologize, and discovered that the apology didn’t make anything better.
In the first draft, there wasn’t much more to it. I felt like it was thin as I wrote, so I introduced additional characters: four customers and the cook. It wasn’t terrible, as first drafts go, but my critique group suggested that I cut the other characters. Removing them made me realize how thin the characterization was, especially of Margo, and that gave me a clearer vision of the story.
Margo, especially, was little more than a cardboard cut-out. What was in her heart and mind when Nehemiah walked in? What would it do to her to hear an unwanted apology? Deepening my understanding of her also gave me fresh insight into Nehemiah. These insights changed the story for the better.
What I’ve learned from this is not to clutter my scenes and stories with extra characters. The other customers, Margo’s brother; I’d put them all in as scenery, basically, and then I’d felt obligated to give them something to do. They distracted me from the heart of the story. In my next first draft, I’ll be ruthless about keeping the scene focused on the only people who actually matter.